MADAM MOHAN MUSIC DIRECTOR MADE BEST USE OF GOD GIFTED MELODIOUS VOICE OF LATA MANGESKAR. SHE SUNG MORE THAN 42,000 SONGS but MADAN MOHAN GOT SUNG BEST GAZALS FROM HER , THERE ARE FEW COLLECTED IN ONE VIDEO BY YOU TUBE FOR YOU, PLEASE ENJOY WHILE LISTENING AND GET LOST IN DEEP HEART TO REJUVENATE YOUR HEART & MIND
While trying to compile Lata Mangeshkar song lists, I came to know about the contribution Madan Mohan played in a large number of them. There is something special about their mutual effort. Madan Mohan, who basically wanted to act in Hindi movies, and who strangely had no Filmfare awards to showcase by the time he bid adieu to this world, enjoyed a great fusion of minds in Lata Tai. Pick any song by the duo, even the least played ones, and you might immediately be swayed by its enchanting romance, moods of dejection and refinement. Both had a great expertise in highlighting the female protagonist of the Hindi movies through Ghazals.
Aaj Socha To Aansoo Bhar Aaye
Agar Mujhse Mohabbat Hai
Aap Ki Nazaron Ne Samjha
Aap Kyun Roye
Bairan Neend Na Aaye
Baiyan Na Dharo
Betaab Dil Ki Tamanna Yahi Hai
Chanda Ja Re Ja
Do Dil Toote Do Dil Hare
Hai Tera Saath Meri Wafa
Hai Isi Mein Pyar Ki Abroo
Haale Dil Yoon Unhen Sunaya Gaya
Hum Hain Mata-E-Koocha-O-Bazaar Ki Tarah
Husn Hazir Hai
Hum Pyar Mein Jalnewalon Ko
Jana Tha Hamse Door
Khelo Na Mere Dil Se
Lag Ja Gale Se
Mai Ri Main Kase Kahoo Peed
Mera Saaya Saath Hoga
Meri Aankhon Se
Meri Veena Tum Bin Roye
Milo Na Tum
More Naina Bahaye Neer
Mujhe Yaad Karne Wale
Naghma-O-Sher Ki Saughat
Naina Barse Rim Jhim
Nainon Mein Badra Chhaye
Na Tum Bewafa Ho
Rasm-E-Ulfat
Teri Aankhon Ke Siva
Tumse Bichhadkar Chain Kahan
Unko Yeh Shikayat Hai
Woh Bhooli Dastan Lo Phir
Woh Chup Rahen To Mere
Yun Hasraton Ke Dagh
Zara Si Aahat Hoti Hai
While trying to compile Lata Mangeshkar song lists, I came to know about the contribution Madan Mohan played in a large number of them. There is something special about their mutual effort. Madan Mohan, who basically wanted to act in Hindi movies, and who strangely had no Filmfare awards to showcase by the time he bid adieu to this world, enjoyed a great fusion of minds in Lata Tai. Pick any song by the duo, even the least played ones, and you might immediately be swayed by its enchanting romance, moods of dejection and refinement. Both had a great expertise in highlighting the female protagonist of the Hindi movies through Ghazals.
Aaj Socha To Aansoo Bhar Aaye
Agar Mujhse Mohabbat Hai
Aap Ki Nazaron Ne Samjha
Aap Kyun Roye
Bairan Neend Na Aaye
Baiyan Na Dharo
Betaab Dil Ki Tamanna Yahi Hai
Chanda Ja Re Ja
Do Dil Toote Do Dil Hare
Hai Tera Saath Meri Wafa
Hai Isi Mein Pyar Ki Abroo
Haale Dil Yoon Unhen Sunaya Gaya
Hum Hain Mata-E-Koocha-O-Bazaar Ki Tarah
Husn Hazir Hai
Hum Pyar Mein Jalnewalon Ko
Jana Tha Hamse Door
Khelo Na Mere Dil Se
Lag Ja Gale Se
Mai Ri Main Kase Kahoo Peed
Mera Saaya Saath Hoga
Meri Aankhon Se
Meri Veena Tum Bin Roye
Milo Na Tum
More Naina Bahaye Neer
Mujhe Yaad Karne Wale
Naghma-O-Sher Ki Saughat
Naina Barse Rim Jhim
Nainon Mein Badra Chhaye
Na Tum Bewafa Ho
Rasm-E-Ulfat
Teri Aankhon Ke Siva
Tumse Bichhadkar Chain Kahan
Unko Yeh Shikayat Hai
Woh Bhooli Dastan Lo Phir
Woh Chup Rahen To Mere
Yun Hasraton Ke Dagh
Zara Si Aahat Hoti Hai
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